Jackson house sits far from the reach of the world. Crouching behind the black locust and silver maple trees, waiting for the day when ruin finally decides to push it to the ground. Lord only knows what possessed someone to build it in the middle of nowhere, but now I’m meant to suffer as a result.
It sat abandoned for so long that most folks forgot it was there. That is, until it was purchased last year by the Caldwells. Truth be told, I only know about it now because the man of the house has been causing so much trouble. Not even a full year since they bought that place and my department has been called out half a dozen times or more by the owner's wife. Husbands got a screw loose or something. He’s been screaming at trees and getting increasingly violent with her and the kids. Ever since the last call, we’ve started swinging by every now and again to check up on them. That's what I’m doing now.
The dirt road leading to the house is washed out in some parts and cratered in others. Mr. Caldwell swore up and down that it was a project he would get too, eventually. If you go faster than a snail’s pace then you practically get thrown out of your seat traversing it. Tree after tree is pulled towards me by the headlights for what feels like a half hour before the house actually crawls into view. Admittedly, it's a grand building. What it lacks in convenience it makes up for in beauty. A vitorican tower on the left face of the house always grabs your eye first, jutting up three stories to a point. Beige walls, streaked green by the runoff from a moss patched roof, are restrained by scorched black timer moldings. Iron fencing, tall enough to give the most gifted climber a challenge and tipped in spear points, juts out of the building's sides and scurries deep into the woods. The front door is. . . open. Why is the door wide open this late at night?
I quickly throw the car in park and hop out. Lights are on throughout the place. It is far enough off the beaten path that none of the city sounds can be heard, but the house itself feels too quiet. Too still. Tiptoeing up to the stoop, a gentle thumping can be heard from within.
“Police! Is everything alright?” I shout into the door.
The thumping stops for a moment, then begins again. Quicker.
No choice then. I step inside.
The interior is as lavish as the exterior, but more recently renovated. Cream walls are held against burnt umber floorboards. It's a more narrow hallway, just like they used to make old farm houses with. As soon as I'm in the tunneled passage, my nostrils are stabbed by the sharp smell of iron. The noise is louder inside, echoing from the end of the hall. I call again.
“This is Columbus police, is anyone home?”
No one answers, and the noise continues.
I creep forward to the middle of the hall where two entry ways reflect one another. The left opens into the dining room. It's dark, but the light from the hall vaguely illuminates the long table and chairs. It appears empty. To the right is the kitchen, fully lit. I wish I could describe the room, but the second I look in, all I can see is a crimson lake engulfing half of a woman’s body. Mrs. Caldwell?
“Jesus Christ,” slips from my lips as I race to her side. Instinctively, my hand darts to her neck to check for a pulse, but I stop half way. Now closer, it's obvious that her skull is entirely caved in. You can’t even identify the face any more. The pungent scent of metal rolls over my tongue. Jagged shards of her skull encircle a swollen heap of mashed pink and gray flesh. Looking around the room, you can find most of the missing pieces thrown against the wall, splattering the counter tops, and spread across the floor. A hammer lies near her, smudged with bloody finger prints. A chunk of brain and a lock of hair still clinging to its head.
A sudden churning of my stomach nearly forces me to vomit up my entire dinner, but the thumping from somewhere in the house slowly reels me back. I stand and draw my pistol.
Returning to the hall, it now feels far more restricting than charming. A few more steps and it leads into the parlor. Bang, bang, bang, explodes rhythmically in my ears. Steel crashing against stone, that's what the sound is. It's coming up from the stairway to the left. Inching towards it, my boot slips and I nearly lose my balance. I have to grab at the sofa arm to steady myself. On the ground below, lies another pool of thickening blood. A part of me begs to not look. To merely go downstairs and find the source of the crashing. To only witness the nightmare once this is all done, or maybe not at all. I look anyway.
“God no,” I nearly sob when I turn and find the child sized bodies. Both are laying on their stomachs, right beside each other, hands tied behind their backs with twine. Even in the dimmed light, it's easy to tell that their heads are in a worse state than the Missus. Just spilled piles of gory meat that used to be two giggling little boys. They were playing tag in the front yard the last I was here.
My head jerks away from the grizzly scene, but now I’m face to face with a family portrait hanging on the wall. Mr. Caldwell forcing a smile, each hand on the head of a son as his wife sits between them. He just lumbers over all three of them.
I wipe the tears away with the back of my free hand, snort back my running nose, and start descending the stairs with ragged breaths. Only two flickering bulbs provide any light for the large basement, but a man can clearly be seen. Sledgehammer in hand, he weakly pounds at the brick wall.
“Get them back, get them back, get them back,” the man mutters as he weeps.
I squeeze the handle of my gun, trying my hardest to steady my hand. “Mr. Caldwell. . . Ronald,” I gently say, making my presence known.
He freezes with a flinch and turns to me. Blood is splattered so thickly across him that it's hard to tell if he himself has any injuries or not. His eyes twitch as wildly as the rest of his body.
“Ron. . . what happened?” I ask with a blubber, losing all professionality.
“They took them,” he croaks, his face twisting in agony, “They took them away.”
The horror on my face must have been obvious, because he tries to explain further. “They sent fakes and took the real ones, my family!” he cries out, raising his voice. “I have to do what they say, or I won’t get them back!”
His last words are a scream and I involuntarily jerk my pistol up a hair. A gesture that doesn't go unnoticed. Ron grips the sledgehammer with white knuckles. “I have to get them back! You can’t stop me!” He screams before sprinting at me.
I’m so damn scared that I unload all six of the shots I got into his chest, each sending out a spray of blood. It isn’t until the last shot rips through his heart that he collapses to the ground with a slide. With that, Ronald Caldwell lies dead at my feet.